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Polina Osetinskaya

Performance Art Concert

What’s Happening?

“Polina Osetinskaya is a terrific pianist… Her performances always explore new facets of even the most familiar scores… She is a musical treasure!” – Lawrence Budmen

In the 2024/2025 concert season, Polina Osetinskaya will debut in Australia, Singapore, and Brazil. She comes back to the United States with a recital tour along with a tour with her colleague Maxim Vengerov. She also has a series of debuts with new recitals at festivals and Konzerthaus in Austria. She participates in a big project dedicated to 5 Prokofiev concertos in Germany in Theater Altenburg Gera and plays concerts in Italy, Belgium, and Germany.

Ms. Osetinskaya has performed at Vienna’s Musikverein, London’s Barbican Centre, and Rome’s Teatro Argentina and appeared with musicAeterna, Mariinsky Orchestra, Evgeny Svetlanov Symphony Orchestra, and Tokyo Philharmonic Orchestra, among others. Onstage partners have included Teodor Currentzis, Laurent Petitgirard, Vladimir Spivakov, Andrey Boreyko, Dmitry Liss, and Yan Pascal Tortelier. Ms. Osetinskaya has released recordings with the Quartz, Naxos, Sony Music, Bel-Aire, and Melodiya labels.

Internationally acclaimed pianist Polina Osetinskaya began her career at five and was soon acclaimed as a wunderkind in the former Soviet Union. She gave her first concert at the age of six and entered the Central Music School of the Moscow Conservatory at the age of seven. Ms. Osetinskaya’s first teacher was her father, Oleg Osetinsky. She continued her studies at the Leningrad Conservatory with Marina Wolf and later at the Moscow Conservatory with Vera Gornostaeva.

 

Program:

The Art of Transcription

Experience musical gems translated into piano magic. This evening will have you humming along with Bach Cantatas and swaying to Tchaikovsky’s Flower Waltz.

J.S. Bach/W. Kempff: Prelude-Chorale from Cantata No. 147 BWV 147: Jesus bleibet meine freude
J.S. Bach/W. Kempff: Prelude-Chorale from Cantata No. 140 BWV 140: Wachet auf, ruft uns die Stimme
J.S. Bach/A. Korepanova: from Weichnachtsoratorium, BWV 248: Symphony
J.S. Bach/ A. Korepanova: from Weichnachtsoratorium, BWV 248: Opening choir
J.S. Bach/H.Bauer: from Cantata No. 127 BWV 127: Die seele ruht in Jesu händen
J.S. Bach/F. Busoni: Chaconne in D-minor from Violin Partita No. 2 BWV 1004

Intermission

P.I. Tchaikovsky/M. Pletnev: Concert suite from the ballet “The Nutcracker”
P.I. Tchaikovsky/S. Feinberg: from Symphony No. 6 in b minor Op. 74 “Pathétique”: Mov. III Scherzo

Programs are subject to change.

“Polina Osetinskaya is a terrific pianist… Her performances always explore new facets of even the most familiar scores… She is a musical treasure!” – Lawrence Budmen

In the 2024/2025 concert season, Polina Osetinskaya will debut in Australia, Singapore, and Brazil. She comes back to the United States with a recital tour along with a tour with her colleague Maxim Vengerov. She also has a series of debuts with new recitals at festivals and Konzerthaus in Austria. She participates in a big project dedicated to 5 Prokofiev concertos in Germany in Theater Altenburg Gera and plays concerts in Italy, Belgium, and Germany.

Ms. Osetinskaya has performed at Vienna’s Musikverein, London’s Barbican Centre, and Rome’s Teatro Argentina and appeared with musicAeterna, Mariinsky Orchestra, Evgeny Svetlanov Symphony Orchestra, and Tokyo Philharmonic Orchestra, among others. Onstage partners have included Teodor Currentzis, Laurent Petitgirard, Vladimir Spivakov, Andrey Boreyko, Dmitry Liss, and Yan Pascal Tortelier. Ms. Osetinskaya has released recordings with the Quartz, Naxos, Sony Music, Bel-Aire, and Melodiya labels.

Internationally acclaimed pianist Polina Osetinskaya began her career at five and was soon acclaimed as a wunderkind in the former Soviet Union. She gave her first concert at the age of six and entered the Central Music School of the Moscow Conservatory at the age of seven. Ms. Osetinskaya’s first teacher was her father, Oleg Osetinsky. She continued her studies at the Leningrad Conservatory with Marina Wolf and later at the Moscow Conservatory with Vera Gornostaeva.

 

Program:

The Art of Transcription

Experience musical gems translated into piano magic. This evening will have you humming along with Bach Cantatas and swaying to Tchaikovsky’s Flower Waltz.

J.S. Bach/W. Kempff: Prelude-Chorale from Cantata No. 147 BWV 147: Jesus bleibet meine freude
J.S. Bach/W. Kempff: Prelude-Chorale from Cantata No. 140 BWV 140: Wachet auf, ruft uns die Stimme
J.S. Bach/A. Korepanova: from Weichnachtsoratorium, BWV 248: Symphony
J.S. Bach/ A. Korepanova: from Weichnachtsoratorium, BWV 248: Opening choir
J.S. Bach/H.Bauer: from Cantata No. 127 BWV 127: Die seele ruht in Jesu händen
J.S. Bach/F. Busoni: Chaconne in D-minor from Violin Partita No. 2 BWV 1004

Intermission

P.I. Tchaikovsky/M. Pletnev: Concert suite from the ballet “The Nutcracker”
P.I. Tchaikovsky/S. Feinberg: from Symphony No. 6 in b minor Op. 74 “Pathétique”: Mov. III Scherzo

Programs are subject to change.

More about Grand Piano Series
Grand Piano Series was founded in the spring of 2016 by classical pianist and chamber musician, Milana Strezeva, and photographer, pianist, and artist manager, Raniero Tazzi. The passion and mission of this organization is the preservation of great music literature featuring artists of the highest caliber. Inspiring people of all ages to discover the richness and beauty of classical music through performance, study, and uncompromising excellence of outstanding musical experiences is at the core of our organization.
When & Where
Nov 6, 2024, 7:30pm to 9:00pm Timezone: EST
$59.00


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